#8BIT DRUMMER NICO NICO NI TV#

I know we're already in March but let's talk about the anime staff I discovered for the first time in 2021! 2021 was a really great year for anime, in terms of the number of exciting projects that came out, which of course meant that I came across many cool creatives at the same time. Questions, corrections, complaints: platform / social media links: What does this entail? How does an art form or a piece of art 'die'? Is mecha anime dead? All this and more this week.Ġ:00 - Intro 2:00 - My Favourite Line in Rakugo Shinjuu 5:58 - The Narrative of the Rakugo 'World' 9:32 - Death & Legacy 13:25 - Why Mecha Isn't 'Dead' 18:13 - Art & Ideas 20:30 - Outro & Music Credits I finally took the time to watch Shouwa Genroku Rakugo Shinjuu and now I can't stop thinking about it! In this episode, I try to explore one of my favourite aspects of the anime in a bit more depth - the 'death' and 'life' of art. Timestamps: 0:00 - Intro 1:12 - My Experience with Sonny Boy 3:16 - The Ending of NGE 6:49 - Pressure & Expectations 12:20 - Optimism & Control 15:31 - The 'Pretention' Problem 17:43 - Conversations & Originality 19:52 - Outro & Music CreditsĬreatives Mentioned: Hideaki Anno & Shingo Natsumeįor the complete show notes, visit and Shingo Natsume have as well as what we can take from both anime. In this episode I want to talk about the indirect conversation that Hideaki Anno & co. Neon Genesis Evangelion (my all-time favourite anime series) and Sonny Boy (one of my favourite anime from 2021) touch on similar topics of personal growth, control and even change. Questions, corrections, complaints: In This Episode: Staff & Creators Mentioned: Shion Miura, Takuya Sato, Toshimasa Kuroyanagi, Naoyuki Asano, Ryousuke Nakamura, Nobutaka Yoda, Kazuya Shiotsuki, Hajime Isayama, (AOT S3 P2 #10 Staff: SB - Daizen Komatsuda / ED - Tetsuya Wakano, Shintaro Itoga & Tetsuro Araki), Tokuyuki Matsutake, Mamoru Hatakeyama, Nobukage Kimura, Naoko Yamadaįor complete show notes, visit

Timestamps: 0:00 - Intro 1:50 - The Iceberg 4:11 - The Great Passage 7:32 - March Comes In Like A Lion 11:57 - Attack On Titan 15:48 - Shouwa Genroku Rakugo Shinjuu 18:40 - Heike Monogatari 24:23 - 'Over-reading' & Intentionality 27:14 - Outro + Music Credits I also discuss why it is worth loooking into these tools for yourself when engaging with a piece of art. In this episode of Get In The Mecha I take a look at how anime makes use of water as a device for telling profound stories, from Attack On Titan to Heike Monogatari. Water is extremely versatile in the real world and the same can be said for its place in animated filmmaking. Questions, corrections, complaints: Links: Leave a 5-Star Review on Apple Podcasts here: Staff Mentioned / Referenced: Masaaki Yuasa, Sunghoo Park, Satoshi Kon, Shinji Hashimoto, Keiichiro Saito, Shingo Natsume, Toshimasa Ishii, Tomohiko ItoĪnime Mentioned: Inu-Oh, Jujutsu Kaisen 0, Perfect Blue, The Executioner And Her Way Of Life, Sonny Boy, 86 Eighty-Six, Erased Timestamps: 0:00 - Intro 1:27 - Context 2:07 - Watching Anime Films In The Cinema 3:59 - 21:9, Inu-Oh & Jujutsu Kaisen 0 6:08 - Perfect Blue (In The Cinema) 9:48 - 'Small' Things Go A Long Way 11:24 - Saito & The Executioner And Her Way Of Life 13:12 - Ishii & 86 Eighty-Six 14:50 - Final Thought 16:00 - Outro + Credits

#8BIT DRUMMER NICO NICO NI TV#

This time around, I have gathered a few insights from watching anime films in the cinema and I also spent time thinking about some of the smaller visual elements that uplift the TV Anime experience. We're just over halfway into the year, so I thought it was the right time to bring back the Get In The Mecha Mid-Year Review, the annual episode of the podcast where I reflect on what I've taken away from anime this year so far.

8bit drummer nico nico ni